![]() Musically, it boasted slightly more polished production and tighter musicianship than their debut, but the band's dynamics remained basically unchanged. dates at the SXSW festival that March and made their major-label debut, School Girl Distortional Addict, later the same year. Records at the start of 1999 played their first U.S. In 1998 Number Girl switched their base of operations to Tokyo, with a re-released School Girl Bye Bye coming out on indie label K.O.G.A. alt-rock bands such as Sonic Youth and Dinosaur Jr., but also showed the band developing its own unique identity within the Japanese music scene, with Tabuchi's melodic guitar lines contrasting with Mukai's thin, distorted, and sometimes tortured vocals. Their debut album, Schoolgirl Bye Bye in 1997, showcased a sound frequently compared to U.S. Number Girl first came together in 1995, playing shows around Fukuoka with a sound heavily indebted to 1970s punk rockers like the Ramones and Iggy Pop. He was joined by bass player Nakao Kentarou and guitarist Tabuchi Hisako, with drummer Inazawa Ahito completing a lineup that would remain steady for the duration of the band's career. The band's key creative driving force was guitarist/vocalist Mukai Shutoku, whose geeky persona and offbeat lyrical style made him a perfect anti-idol for Japanese alternative rock fans. bands such as Hüsker Dü and the Pixies, they became one of the most important and influential Japanese rock bands of their generation. ![]() Japanese rock band Number Girl were central figures in the alt-rock and punk movement that emerged from their hometown of Fukuoka in the late '90s. ![]()
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